SCOOBY DOO EST MALADE

Summer means listening to doowop.

KEY CHANGE TASTIC

TEARDROPS

DION

STARDUST MEMORIES

GOODBYE NICK SANTO

The last celebrity (sortof) death of 2010: NICK SANTO, lead singer of the amazing CAPRIS, a band that loved doowop so much they kept at it well past 1961. This classic tune was cut and released in 1982 and was the last doowop song ever to make the US charts (unless you count Lauryn Hill).

REVISIONARY?

MORE DION & THE WANDERERS

I'm glad that many people enjoyed THE COMPLETE DION & THE WANDERERS that I posted a while ago. I got some enthusiast feddback. I also had one message from a completist who told me that my post was slightly incorrectly titled, as that set was not quite complete.
Indeed, one more single was issued as DION & THE WANDERERS. I had not included it in this last post, cos it's from a different session (held on March 2nd, 1966) and, unlike the other twelve tracks, was not produced by TOM WILSON but by Dion's usual producer for Columbia Records, Robert Mersey.
But they're still a part of the DION & THE WANDERERS canon, so they should be here. Consider these songs bonus tracks.
"So Much Younger" is the b-side, a very rare nugget, as Dylanesque as it gets, and "Two Ton Feather" is a drum-heavy remake of a song Dion had already cut with Tom Wilson (for the record, there are at least two more versions of this song, one more shuffly named "Drop Down Baby", recorded during Dion's blues period, and a poppier version recorded in 1967 with the Belmonts, named "Jump Back Baby").

Enjoy MORE DION & THE WANDERERS.

And as a bonus bonus, here is a video of DION & THE WANDERERS on television, miming a song the Wanderers don't actually play on, 1963 hit RUBY BABY. (Note that the youtube vid is misdated, the song is from 1963, but the video itself was shot in 1965).
Oh, by the way, since my last post in which I mentionned the LP-only official Dion album WONDER WHERE I'M BOUND, the great reissue label Now Sounds has issued it on CD for the first time. If you like this music, can afford it, and still buy CDs, please encourage their archival work and GET YOUR COPY.

THE COMPLETE DION & THE WANDERERS

Since neither Sundazed nor Columbia came up with the idea of releasing this set officially, I had to go and do it myself.

Here it is: THE COMPLETE DION & THE WANDERERS.

A little history:
Dion DiMucci is one of the few enduring stars of the doo-wop era. A hitmaker with THE BELMONTS in the late 50s, he remained a hitmaker as a solo act in the early 60s. He then became the first rock'n roll singer to sign with Columbia Records, and the hits kept coming.
And then, out of the blue, he changed direction and started cutting some gritty blues covers. Columbia didn't follow him down that road, and they only released a handfull of sides, when they had more than enough material for a whole album.
He changed direction again and decided to play folk-pop. He wrote some songs, chose some good covers, his friend BOB DYLAN gave him a couple of tunes, and he put together a band, which he named THE WANDERERS.
They went into the studio with genius producer TOM WILSON. Wilson had worked with Coltrane, Sun Ra, Dylan... and would later produce The Velvet Underground, The Mothers of Invention, Soft Machine... In my book, if he's not the best record producer ever, he's second only to PHIL SPECTOR (incidentally, Dion worked with both).
There were exactly two sessions, on September 20th and October 4th of 1965.
The twelve songs they recorded all showcase superior, unique genius. Dion is at the top of his game both on vocals and on guitar, his songwriting is diamond perfect, his band is loose just the way I like it, that Tom Wilson sound is unmistakable, this is better than perfection, this is heaven.
Yet, for some mysterious reason I cannot and will never understand, Columbia shelved the whole thing. They released a couple of 7" and left everything else in the vaults.
Dion at this time was addicted to heroin, too weak to fight back. Instead, he bought himself out of his contract, cut a remarkable reunion album with The Belmonts for ABC Records, and then went back to his old label, Laurie Records. For Laurie, he went full-fledged folk, and his first folk single, ABRAHAM, MARTIN AND JOHN went top five. Dion was back. So Columbia decided to release an LP with some of the songs they'd been sitting on.
Released in 1968, WONDER WHERE I'M BOUND contains five songs from these sessions, four from his previous blues period, and one doowop from 1963. Although it's a great collection of songs, it's also an incoherent mess. Plus, in 1968, folk-pop was smelling funny, and the album flopped.
Here's what they should have released:

THE COMPLETE DION & THE WANDERERS
1- I Can't Help But Wonder Where I'm Bound
2- Now
3- Knowing I Won't Go Back There
4- Tomorrow Won't Bring The Rain
5- You Move Me Babe
6- Farewell
7- All I Want To Do Is Live My Life
8- My Love
9- Two Ton Feather
10- Time In My Heart For You
11- Baby I'm In The Mood For You
12- Wake Up Baby

I'm convinced that, had this set been released as an album in 1965, it would be considered a classic.

WHO ARE THE WANDERERS?

If you are as obsessed as I am, you might wanna know who plays on these tracks. You can see them on this picture.
CARLO MASTRANGELO plays the drums. He was already in The Belmonts.
PETE FALCIGLIA plays the bass. Also an Italian-American from the Bronx, he cut a couple of sides as a lead singer with The Belmonts for Sabina Records, after they'd split with Dion.
JOHNNY FALBO is a session man, a great guitar player.
Not on the picture, AL KOOPER needs no introduction, he's an extraordinaire session man and a great singer-songwriter in his own right. He plays the piano and the organ on these tracks, as anyone with ears could tell.

So there you have it, an album that never was, a missing link in the history of American music. I hope you enjoy it as much as I constantly have for many months.

ALEGRANZA!

Okay let's go a thousand miles away from SISTERS LOVERS, ALEX CHILTON and all things depressing.

EL GUINCHO is my favorite musician that ever came out of the Canary Island - and I've heard so many of them. His album ALEGRANZA was released two summers ago and it still fills me with joy just as much as the first time I heard it.
And like other sample-heavy albums that educated me when I was younger (finding the songs sampled by, say, De La Soul or the Beastie Boys made me discover so much good music I otherwise wouldn't have known of), it allowed me to find these two pieces of great exotic music, sampled respectively in the two opening cuts of his album, PALMITOS PARK and ANTILLAS.
Both these songs are magnficent.

The first one is an early-60s Cuban doo-wop, Y SABES BIEN by LOS ZAFIROS apparently a huge band and a huge hit in their native island, I must admit I had never heard of them.

The second one, surprisingly, is not a Zouk from les Antilles like the title of EL GUINCHO's tune suggests, it is actually a Kenyan duet called ORIANGO & KIPCHAMBA, and the song is called PELINA. Courtesy of AWESOME TAPES FROM AFRICA.

LOVE IS REAL

Let's go BACK TO MONO WITH THE STEREOS. I would like to thank my friend GEORGE for introducing me to this great feelgood stomper.