NEW BEAT MEETS HIP HOP

In 1990, Belgian Abdel Hamid Gharbaoui, better known as BENNY B released VOUS ETES FOU!, which would become the first hip hop hit single in French. Very quickly, more "serious" rappers will follow and they will all, without a single exception, dismiss him as a big joke, like, say, Vanilla Ice. Sure, he was not "street" enough, appeared in many family-oriented TV shows, didn't have a "message", and so on.
However, with 20 years insight, after the first wave of French hip hop has been followed by many acts that were also messageless jokes, we can reassess this song with more indulgence.
I would even go further than that: while the "serious" rappers of the time were all essentially apeing Public Enemy, BENNY B was the only one showing his true colors and repping the sound of young Belgium, since he was basically rapping over NEW BEAT jams.
You be the judge:

Because I enjoy this track so much, I had a little fun and made my own version, using the best bits of the "Wild Mix" and the Acapella, both on the B-side of the 12".
Enjoy VOUS ETES FOUS! (Whistled & Tasted).

ANTILLES

To celebrate Christmas I give you a song that has nothing to do with Christmas, FIERTE by FRANCKY VINCENT.
FRANCKY VINCENT is very well-known in France as one of the prime Zouk singers from Les Antilles (and more recently for appearing in a sorry real TV show, let's pretend that never happened). His trademark is salacious lyrics, moreso than any sound. However his biggest hits in metropolitan France happened in the 1990s, and they sound rather cheap. Few remember his 70s recordings for the A3 label, backed by the band TABOU N°2 and produced by JACOB DESVARIEUX of the wonderful band KASSAV.
Let's repair this mistake with FIERTE.
By the way, I took the liberty of editing this song to erase parts I like less and repeat over and over parts I like more.
ENJOY.

NEW BEAT MEETS CUMBIA

If you've been reading older posts here, you already know I feel THE MACKENZIE is the best band in NEW BEAT, that Belgian bastard son of Acid-House, born in the late 80s when, by mistake, a DJ played the 12" of FLESH by A SPLIT SECOND at 33 RPM instead of 45.
What I hadn't said is that I perversely play these MacKenzie 12" at 33 RPM so that they play even sloooooower than they already are.
Today I recorded and upped one of them; and I added a cumbia on top for good measure.
THE MACKENZIE - HIGHER IN THE SKY (Whistled & Tasted)